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The Enduring Metal Genius of Metallica | The New Yorker:

Metallica is now in its forty-first year. The band was a progenitor, along with Slayer, Anthrax, and Megadeth, of thrash, a subgenre of heavy metal marked by thick, suffocating riffs, played with astonishing speed. Lyrical themes include death, despair, power, grief, and wrath. Though metal is often dismissed as underground music—frantic, savage, niche—Metallica has sold some hundred and twenty-five million records to date, putting the band on par, commercially, with Bruce Springsteen and Jay-Z. It is the only musical group to have performed on all seven continents in a single calendar year. (In 2013, Metallica played a ten-song set in Antarctica for a group of research scientists and contest winners; because of the fragile ice formations, the band’s amplifiers were placed in isolation cabinets, and the concert was broadcast through headphones.) Since 1990, every Metallica album has débuted at No. 1 on the Billboard 200.

If you had told late 1980s me that, nearly forty years later, I would be reading a profile of Metallica in the New Yorker, there is no way I would have believed you.

Getting old is weird.

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